OPRESI DAN OBJEKTIFIKASI TERHADAP PEREMPUAN DALAM FILM PENDEK LIBERTINES KARYA ARWIN WARDHANA; SEBUAH KAJIAN FEMINIS RADIKAL LIBERTARIAN

Abstract

Ariawan, Robbi Eka. 2019. "Oppression and objectification of women in the short film Libertines by Arwin Wardhana; A Libertarian Radical Feminist Study ". Thesis Strata I Indonesian Literature Program. Faculty of Cultural Sciences, Diponegoro University, Semarang. Advisor I Laura Andri R.M, S.S, M.A. Advisor II Khothibul Umam, S.S., M.Hum. The object of this research is the film Libertines by Arwin Wardhana. The method used in this research is to collect qualitative data and also use the approach of science of radical-libertarian feminism. The theory used is the narrative structure theory of Himawan Pratista as a support in knowing the elements and narrative patterns of the film, so that it can be known in detail about Plots, Space Elements, Time Elements, Characters and Characterizations, Objectives, Conflicts, and Narrative Structure Patterns of Libertines films. Radical-libertarian feminist theory from Kate Millet is the main basis for knowing the oppression and objectification and the change into androgyny that is in the main character. The results of this study indicate that the main character in the Libertines film is a woman named Gayatri and has additional figures namely Rinjani and Rama. Gayatri was able to achieve her freedom and escape oppression by becoming an androgyny who succeeded in combining feminist and masculine elements as well. Keywords: Women, Film, Oppression, Objectification, Radical-libertarian feminists.