IMPLEMENTASI KEBIJAKAN ODA NOBUNAGA MELALUI TOKOH SABURO PADA FILM NOB UNA GA CONCERTO 『信長協奏曲』という映画における~人公サブローを通して 織田信長が実施した政策

Abstract

Nobunaga Oda's Policy through the character of Saburo in the movie Nobunaga Concerto.Essay.Japanese Language and Culture Studies Program.Faculty of Humanities.Diponegoro University.Supervisor I Fajria Noviana, SS, M. Hum. Supervisor II Yuliani Rahmah, S. Pd, M. Hum. The purpose of this study was to compare Nobunaga Oda's policy in history with those depicted in the Nobunaga Concerto film. The theory used in this research was cinematography theory presented by Himawan Pratista, to analyze the narrative elements in the film. And comparative literary theory presented by Remak, to analyze comparisons that occured in the film’s narrative elements and Nobunaga Oda's policy in the film. Also, using sociology of literature theory by Laurenson and Swingewood, where this research apprehended literature as the manifestation (embodiment) of historical events and socio-cultural situations. The result of this research is the comparison of Nobunaga Oda's policy that existed in historical data, especially Raku Ichi Raku Za policy, religious policy, and Tenka Fubu policy; which was found in the Nobunaga Concerto film. Keywords: Film, Cinematography Theory, Comparative Literary Theory, Sociology of Literature Theory, Nobunaga Oda